How We Turn Vulnerable: Monica Mody
How We Turn Vulnerable
The deepest, sweetest truths come to us on June nights Warm air from the ceiling fan runs its broad mammalian tongue over them, leaving them sweaty and soothed I let you lift from my mind like an air bubble I begin to believe there is more to songs than syllables more to stars than smallness more to smoke than spectres more to wrecks than disuse I employ me my own scrivener and write on walls in shadows on brass on amaltas in dust on swallows wherever I see the shape of wonder
At Lansdowne
There is a star stitched, becomes your dimple.
I count. A random number of birdsongs
in your cigarette smoke. Unintelligible
murmur of my heart. Satisfying and chewy
as food. Between us.
Ticketless in our love, we alter.
Swift garbs. Daylight sharpens
its watch on us. To tell our scratch
from precipice. Goes on. For whom
does one reality suffice?
“O black swan, your black the slick
of a common umbrella, bring me
the choicest worms to eat.
“Ah mist! Eavesdrop on my yearnings.
Come down. Hold me.
Thing is deodars, eloquence, summer.
They say. Is troubled as glittering water.
Flamboyant as comic strip. Endures
tricks.
What is lit up is not what
we remember. Point breathe.
Toes step on flatness – five leaves
on moist ground – clench –
but they can’t go back.
The Daughter Said
The red-lipped daughter of the Mother Dairy owner
next to our house,
with a scythe for a neck and scimitars
for eyes,
walked on her two scissor legs.
Conversations with her were difficult.
As she met your eyes, she turned
asudden into
your reflection.
You were left staring at yourself.
One morning I carried
a rufous stone bowl to the shop
and —
amidst the onions, chillies, leafy spinach —
tumbled water into it,
slid next to the daughter as she
bent to take out frozen peas,
and saw her reflected
eyes snared and swirling black.
She told me this:
Walk straighter than an assegai.
Kill faster than a scythe.
Paint lips red, wear
war paint on the heart.
Glow eyes coal at the millionth
second,
at the merest effrontery.
Apartness is yours. Claim solitude.
The dark is yours. Possess the night.
Saying this, she straightened, smiled,
and ebbed from my sight.
Diptych
Desire to become one with perfection
territorial in me
I live my life in diptych
The first panel coursing with the primary
of intensity
In the second, I hold my breath
so it does not blot
It is not like being torn into two
or the waiting before birth
(push)
At times I find my shade drifting
in unknown territory
*
Into the sequent pane I want to bleed
my five taut fingers
names for all thoughts
but its warping slinking wood strangles all
to fleeing or unreal
I wish my tongue would encircle
less-ness-fear
Black goddess sits with her eye
glued to this tongue waiting
for it to sing
Under the two lives sits a man
with catgut string, tuning
I love the sounds in these, especially the first. And the Mother Dairy one has always been one of my favorites.