धार्मिक युद्दों का उद्दण्ड अट्टाहास / The Mocking Laughter of Religious Wars
Alok Bhalla
INTIFADA POEMS: FROM MY ISRAELI JOURNAL
A NIGHTMARE VISION IN JERUSALEM
“Among the thoughts that always came to plague her, a new one appeared – solitary, foreign, and dangerous as a winter wolf.” – Ismail Kadare, Three Elegies for Kososvo
Like the wolf after a kill
the victorious always feel
they are just
but how can the wolf know
what lurks in the forests ahead
or in the forests of the past
lost in the dark depths of memory
the wolf cannot know
there are other creatures
swifter
with sharper claws, bloodier teeth
perhaps only a poet
watching a tense hawk
hovering over hard stones
or a painter of olive trees
still shimmering in strange days
can understand
that there are gardens with white houses
outside the forest
where the eyes in dazzled sunlight
are not a puzzle
and the owl’s hoot in moonlight
is only a startled delight
or perhaps
some haunted Sybil reads
in the runes of mirrors
dark cindered paths
which turn back to forests
and lead
always and forever
only to the circle
ringed by snarling wolves.
In the Village Al-Nuaman Isolated by Super-Highways
“Oh, she was beautiful as no one else
has been, but was unfortunate like all.”
– Calderon, Life is a Dream.
The air is nourishing
the morning has borrowed some blue
from a medieval Book of Hours.
The mosque calls for payers.
The synagogue is quiet with awe.
The Armenian church is dark with incense.
Death glides in on chemical wings.
The bull-dozers cross
the limits of hubris
cut through prophetic hills
see mythic enemies
from some shoah of the past
in every small village.
Should we not
each of us
corrupt the pharmacopeias of myths
where birds in fire sing sorrow
sorrow
Should we not
each of us
disorient the dragons of flint-sharpened morals
whose eyes are silhouettes of smoldering ash
and claws made of stolen gold
Should we not
each of us
under the sky of blackbirds
be minstrels clothed in sorrow
sing curses in ancient songs
Should we not
each of us
sing sorrow
sorrow
sing sorrow
for mourning is interminable.
We’d be saved
perhaps
if we could canonize Fools
if out of the fierce wilderness of words
we could build a new city of the mind
where our secret longings could remain in the shadows
or roam the streets like sunlight or dusty winds
if we could mark our time with
the fall of waves on shores of sand
the fall of leaves on grey stones
and finally the fall of green wings on soft ash
for a new city of the mind must know past sorrows.
The daughter with a red hijab
and blue jeans
plays in the shadow of the mulberry tree.
Her father
sky-clad
grey eyes
supervises the threshing of wheat
as the wind carries the chaff
and spreads it over his earthly sanctuary
of grape vines, shy smiles, sweeping hills,
popular songs, basil, camels, lonely memories,
and sunlit sand streaming through the leaves.
He cups his hands
the blue sky fills them
green fields lie in their depths.
There are springs, he says,
under the ground.
The earth whispers again and again
“I want you
I want you to be…
I want you…
to be…
always…”
“It’s Friday, I know,” he murmurs,
“But security forces give permits
for threshing machines
only when the villages are empty
and men at prayers…
and tomorrow is Sabbath.”
On the hill of flint-stone and thyme
in the sun-burnt horizon
the Herodian is a vague mound
of shadows and sun-baked walls.
News of an imperial grave
somewhere in that valley of rubble
slides past fences and check-posts like
ancestral whispers of other deaths.
Salome dances on marble floors
with a prophet’s head
blood seeps into the earth
a peacock calls from another age
from another palace.
“The field across lies fallow.
My brother was refused permission
to till his field this year.”
An armoured car
with two soldiers in ray-ban sun-glasses
keeps watch.
Blue stars float on white flags
fluttering between two rivers.
An armoured car
keeps watch.
How quickly we forget ancient psalms
prophesying nightmares in furnace fires.
Religious braggarts, calling upon their gods,
find in stars and crescent moons, flags and banners,
signs and prayers and excuses
for executions and wars.
Wherever the girl skips
barbed wires trailing behind
entangle her, coil into her smile
writhe in her hair
till their steel blades cut into her dreams
her skipping songs
her weaving hands
and in ever-widening circles
imprison other children
in other villages.
and still lingers in the crevices
of temple walls where mothers and daughters
fathers in fedora hats and tasselled sashes
leave scribbled wishes.
Mourning is interminable.
Humiliation is never enough.
No son shall ever read a prayer for the dead
where words are grey with bone-ash and acrid smoke.
No girl walk walk in beauty
nor offer wine to the dead
bought from some seraph of the soul.
Histories of genocide
memories of nakaba
refuse such gestures.
There are willing executioners everywhere.
Her brother
only a few years older
rides up on his donkey
hooting with laughter
mocking the armoured car
with two soldiers in Ray-Ban sun glasses.
He dares us to ride like him
bare-backed and without a stirrup
delighted as he traces fear in our eyes.
He knows a kind of American English
enough to follow Die Hard With Vengeance
with the bravado of all children of stone
but is keen to learn Arabic, Hebrew and French.
“Why French?”
He rubs the donkey’s ears
makes a theatrical
sweep with his arms
and with the infectious smile
of a suave journalist
or a cautious diplomat:
“So I can tell the world
that we live in this prison
under an open sky
watched forever
by Druze, Bedouin and Jewish soldiers
our brothers in
Ray-Ban sun glasses!”
The mocking laughter of religious wars
is often lost on visitors
who can neither ride a donkey
nor till the field.
The boy has lived in the shadow
of the Herodian all his life.
Fatal stones of the intifada
fit easily in his hands.
The sage of future time
slips through two fleeting smiles
and looks beyond the bulldozed house.
Ten cypress trees form a circle
around the burial ground
like the last good men of Moses
condemned forever
to testify
“…who does the killing and the dying
and spread an evil report of the land
that eateth up the children thereof.”
Still, he wants to learn French
so he can tell the world –
There are still prisons under our open skies.
Laltu,The Poem on 9×11 is the finest I have read so far. Is tarha marenge hum is no less.Are these works in English/
A nice poem indeed. Showing realism and altruism and explaining the condition for creation of a meningfull poem.